About Me!


Josh League has dabbled in art in the past but has never been much of a painter until recently. Somewhat intimidated by the challenge, due to the expense and time it would take to learn the complexities; he began painting at the age of twenty-four.

Far from the art world Josh is comfortable in; charcoal, pencil, pastel and prisma colors, the new challenge is proving to be just that. Josh continues to add to his skills by acquiring knowledge, learning new techniques, and through lots of practice. Inspiration desire and motivation are key to any artist’s success. Josh’s inspiration has come mostly from nature and the observation of other people. His desire is to create his own beautiful work so that others may also admire something new and unseen. His motivation comes from the words of critics so that he may strive to become better and from the compliments of art admirers.







Thursday, February 10, 2011

Spring 2011


Painting Steps
1) Gesso canvas with large brush.
·         Allow to totally dry before continuing.
2) Tone the canvas using mineral spirits and burnt sienna oil paint.
3) Use view finder to determine composition of painting.
·         This can be made by cutting out two “L” shaped pieces of mat-board.
4) Paint abstract forms of still life objects with burnt sienna and mineral spirits onto the canvas.
5) Go back and firm up the abstract shapes of the still life objects.
6) Using local color of objects in the still life, paint block in the still life objects onto the canvas.






Cover the canvas
The purpose is to get the canvas covered and to hold places for the still life objects. Objects should be painted in local values using a thin transparent layer of paint.
·         Vase and Black Book – Mix: blue + red + yellow = black/grey.
·         Red Book – Mix: cadmium + alizarin + red + adding small amount of yellow ochre.
Bowl – Mix: burnt sienna + orange + red.


Techniques:
·         Drag the brush rather than using the point to apply the paint. This is to achieve a feeling of movement in the strokes of the painting.
·         Strokes are made with the thin side of the largest possible brush.
·         The paint is mixed on the easel to achieve the colors of objects.
      ·     Allow some of the under color to show through when blocking in.






Focal Point:
·         To determine the focal point of the still life divide the canvas into thirds horizontally and vertically.
·         Points of intersection should determine the placement of the main focal points of the painting.
·         Focal points must be in odd numbers 1,3,5 etc,
      ·     There must be one main center of interest.

 Paint Brush Techniques:                 
  ·   Use the largest brush possible.
  ·  Use the thin side of the brush to make strokes. Do not use the point of the brush.
     · Drag the brush over the canvas.









Angles & Symmetry
     ·         Use the handle of the paint brush held to the object to determine correct angles.
     ·     Use the "dot-to-dot" method to correct symmetry of objects.


finished